It was apparently the second sculpture show to be held in the Cookhouse Studio, I think that the exhibitions will be happening reasonably regularly from now on. I think it is great getting artists to come in and hold shows in universities, as a student I found this kind of thing very inspiring - especially as Rebecca was a former BA student at Chelsea.
Rebecca mixes the beautiful with the idea of 'bad taste' and a sickly sweet aesthetic that leaves the viewer unsure whether they should be repelled or drawn in. Looking almost like intricate cake decorations or sugar sculptures, Rebecca actually casts with wax and resin. There is a lightness and delicateness about the work yet an opulence that plays on our ideas of desire and consumption. The glossy fruits encased within the open cavities Rebecca creates look good enough to eat, yet have a sinister air, like the poison apples in Disney's Snow White.
In Gods and Mortals Rebecca showed two of her Swan sculptures, each sitting incased in a glass case, they were at once beautiful yet absurd and leaving a definite, disturbing saccharine aftertaste.



It felt great to be entering back into the exciting world of art and private views. Since I finished my degree I have fallen out of touch slightly with this scene. Now I am feeling refreshed and rearing to go - all set to try and see as much art as possible, always with the obligatory glass of private view free wine in hand!
All images from Rebecca Stevenson's website. Images © Anders Sune Berg.
Gods and Mortals at the Cookhouse Studio in Chelsea College of Art and design is open between Monday 21 – Friday 25 September 2009.
For more information visit the Chelsea website.

